
Timeless storytelling through thoughtful photography.
The difference is intervention. Documentary photography captures the truth of what is happening without direction, while Editorial photography creates a polished, magazine-worthy version of what could be. Most high-end weddings require a ‘Hybrid’ approach, using a documentary lens for raw emotion and an editorial eye for your portraits and styling.

Often called wedding photojournalism, or reportage, the documentary approach is about reporting truth. The photographer’s goal is to remain as unobtrusive as possible, capturing the day exactly as it unfolds without prompting or “re-doing” moments.
As a photographer with a masters degree in investigative journalism, my work is rooted in a documentary approach, and I have a personal love for nostalgic black and white journalistic photographs and street photography from the nineties. Wedding photographers sometimes get caught up in the (online) competition, becoming more commercial and trend led for fear of losing clients, but in my opinion, trends are the enemy of legacy.
When you chase a ‘commercial’ look, you aren’t photographing for the couple; you’re creating a product that fits today’s Instagram algorithm, rather than to document a piece of history. By staying rooted in the grit of 90s street photography and the ethics of journalism, I ensure your photos will look true thirty years from now.
I remember a wedding during Covid where the couple were let down by their wedding venue, and they decided to have a small back garden wedding instead last-minute. Planning and timelines went out the window and with limited space, the traditional ‘editorial’ shots became impossible.
What I got instead was pure, unadulterated truth. Without the ‘performance’ of a grand venue, the couple leaned entirely into each other and their families, stripping away the wedding industry pressure I was feeling. I captured shots of them howling laughing over the best man’s speech (I still remember it), the bride’s dad holding up the roof from collapsing from the heavy rainfall, I captured the groom’s grandma crying in overwhelm from receiving a massive bouquet of flowers in a quiet corner of the patio. Hugs between family members and between strangers. It became one of the most honest wedding galleries in my portfolio and one of the weddings that high-end clients now cite as the reason they book me.
Editorial photography is inspired by high-fashion and lifestyle magazines. It is about a visual vibe and composition. Here, the photographer takes a more active role, “curating” the scene by finding the best light, adjusting the placement of a bouquet, or giving “loose direction” to a couple to create a polished, high-end look. The venue, styling, and combination of vendors is usually really important to get a desired outcome that matches the photographer’s portfolio samples.
Editorial doesn’t mean stiff posing. When I shoot editorial wedding portraits, I aim to give you just enough direction so you feel confident, while letting your natural chemistry do the heavy lifting. I look for interesting light sources to use that might elevate a scene. I look for the way the light hits a silhouette or how a veil creates a frame. I might offer a ‘loose prompt’ like walking, having you think about something, or telling jokes. This creates a photo that looks like it belongs in a magazine, but feels exactly like you.
In the age of AI-generated perfection, real-world couples are moving away from “posed” galleries. However, they still want the “wow” factor of a professional eye. This has led to the rise of hybrid documentary and editorial wedding photography.
| Feature | Documentary | Editorial |
| Photographer Role | Silent Observer | Confident Director |
| Primary Focus | Human Emotion | Visual Aesthetic |
| Best For… | Speeches, Ceremony, Party | Portraits, Decor, Cake Cutting |
| Direction | Zero (Natural) | Gentle or fully guided |
When searching for your photographer, don’t just look for “nice photos.” Look for how they see things others might miss. If you value the tears and the messy laughter and occasionally a double chin, but still want a few “Vogue-style” portraits that belong on a gallery wall, the hybrid approach is your best fit.
If you want to read more articles by Laurine.co.uk visit the full client guide here.